TMG FRE$H

From songwriting, producing, directing, and more, there isn't much else multi-hyphenate artist TMG FRE$H can't do, but he doesn't listen a challenge.

It takes a truthful visionary to be able to weave the emotions & themes prevalent in music and accept them translate to the screen well — two things LA-based hip-hop artist TMG FRE$H does profoundly. Since releasing his debut single "Champagne Cry" last twelvemonth, TMG FRE$H has been a powerful strength in the music scene. This year brought the release of "VLONE," the first single from his upcoming debut record, with an accompanying music video that TMG FRE$H himself cocky-directed. Bridging his love of music with his passion for storytelling and directing, TMG FRE$H can captivate audiencesandlisteners through intense narrative-driven cinematic music videos, perfectly showcasing his talent.

Ahead of the release of his debut anthology MARGIELA LANGUAGE out this June, 1883 spoke with TMG FRE$H about his path to music, his cinematic music video for his new unmarried 'Tardily Night,' and why showing his support for charity initiatives is so of import to him.

I know you were planning on pursuing basketball game equally a career before yous got injured, only was storytelling something you were always passionate about growing upward?

It came about later in life. I felt I wanted to do something more creative and I could feel like I was creating something that mattered and meant something. At ane indicate, I thought I was going to be a novelist & write novels but that didn't happen. [Laughs]

It can always happen! You never know what you decide to practice x years from now which is heady.

That's true — you never know. I do like to do as many different things as possible. Writing has always felt natural to me and it'due south always felt good to do, so y'all never know.

You were a fan of pop-punk groups like Light-green Solar day and glimmer-182 — is that genre nonetheless something you lot endeavour to contain in your music?

For certain, definitely. I grew upwards listening to that genre of music every bit well as rap. I beloved the mix of those ii; I have a lot of guitar-based ideas and input them into my music. Incorporating real instruments mixed with snappy lyrics is something I like considering I beloved contrast and duality. You lot tin can hear it with the heavy rap vocals on peak paired with a pop-punk melody — it sounds unique.

Juxtaposing the two gives information technology a defined and unlike audio.

Exactly, and it'due south cool to be able to blend my two influences as well and I'd like to keep it that way.

Tell me about your new unmarried 'Late Night.'

'Late Night' is a super dope, dark, gritty rails. There's a lot of wordplay happening throughout it with a dark trap beat against it and melodic elements on top of the hook. Information technology paints a motion picture of the mood I was going for with the video.

The video features yous in a Fight Lodge setting. Was that film a big inspiration for the video and does the concept of the fight have a deeper meaning in regards to the song?

Nosotros wanted to take the song and do something unexpected. Whatever the obvious video idea would be for the song and do the reverse. Nosotros took the idea from the words 'late dark' and spun that on its head. I wanted it to be every bit gritty as possible and double equally a short film that could live on its own even without the vocal being fastened to it — you just want to lookout man information technology because it is its own experience.

Speaking of Fight Gild — you lot love filmmaking yourself — y'all wrote, directed, and produced Sin of the Father and you lot self-directed the video for 'VLONE'. Is filmmaking something that has ever influenced your work and vice versa?

I've e'er been very into film and storytelling and so when I beginning came to LA I was pursuing acting. I was going to interim classes and auditions and information technology got to the point where I wanted to exist more than proactive with my career, and so I started writing scripts and that eventually led me to direct. It'southward something I've ever found compelling. With music, I feel in that location's a bit more than connectedness and perspective going into it but the mode I call up virtually my music is like; there is a deep storytelling element to the mode I make and write music. When I'1000 making music, oftentimes I am thinking about the visuals that would get behind it and bring it to life cinematically. Conceptually, certain colours come to listen when I'm making music; 'Late Nighttime' in my mind was always red and black and dark imagery, and those are the colours of the video. There is a connectedness betwixt how I made films and how I make music.

Your debut album MARGIELA LANGUAGE is due to come up out on Fri, June 4 — how does it feel to finally be releasing a drove of songs?

Information technology feels astonishing. It'southward something that shows the whole journey I've made as an creative person making music. This album is something that I can stand backside and exist proud of considering I know I put everything into information technology. I'm excited for it to be out into the globe and to have people hear it and permit me know what they call back.

With these songs, I know y'all explore different emotions and elements of your life. Are you the type of songwriter who has a thread tying all of your songs together or are they pretty separate?

For sure. For this projection, I was thinking of Margiela equally this loftier fashion brand that'due south clean and powerful, but I wanted to show the deeper meaning and language behind it. I wanted to evidence the betrayals, loneliness, the feeling of not knowing who to trust and all of the pain that comes from that. I used that theme and duality of it to build this anthology because it's something that has come up a lot in my ain life, as well. At that place'southward a lot of my personal experiences woven through this and it'south been incredible to see it come to life.

Y'all're also very involved in charities — you participate in organizations like The Akonadi Foundation and yous're vocal about the need for criminal justice reform. Why is it important for you to be agile and speak on these topics?

Information technology'southward important to try to make the world a better place and when y'all're in a position where you can practise that, information technology'south your responsibility to exercise your office and help other people out. It's important to care about our world and other people. It's something I've been involved with since I was 18 because my parents take always been very involved and information technology opened my eyes to information technology.

You can use your many outlets — music, filmmaking, perchance eventually a volume — to try to bring light to causes and issues, likewise, which is amazing.

Exactly! Amplifying everyone's voices together — that's important to me.

Interview by Kelsey Barnes

Photography past Eric Williams

'Late Night' by TMG FRE$H is out now!

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Source: https://1883magazine.com/tmg-fresh/

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